Documentary Across Disciplines

ISBN 10: 0262529068 / ISBN 13: 9780262529068

Published by The MIT Press, 2016

About this Item

This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.

Seller Inventory # BRV.0262529068.LN

Bibliographic Details

• Title: Documentary Across Disciplines
• Publisher: The MIT Press
• Publication Date: 2016
• Language: English
• ISBN 10: 0262529068
• ISBN 13: 9780262529068
• Binding: Soft cover
• Condition: like_new

About this title

Synopsis

Artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, investigate one of the most vital areas of cultural practice: documentary.

Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary. Their investigations take many forms—essays, personal memoirs, interviews, poetry.

Contemporary art turned away from the medium and toward the world, using photography and the moving image to take up global perspectives. Documentary filmmakers, meanwhile, began to work in the gallery context. The contributors consider the hybridization of art and film, and the “documentary turn” of contemporary art. They discuss digital technology and the “crisis of faith” caused by manipulation and generation of images, and the fading of the progressive social mandate that has historically characterized documentary. They consider invisible data and visible evidence; problems of archiving; and surveillance and biometric control, forms of documentation that call for “informatic opacity” as a means of evasion.

Contributors
Ariella Azoulay, Zach Blas, Christa Blümlinger, Stella Bruzzi, Lucien Castaing-Taylor, Kris Fallon, Evgenia Giannouri, Ben Lerner, SylveÌre Lotringer, Antonia Majaca, Sohrab Mohebbi, Volker Pantenburg, Veìreìna Paravel, Christopher Pinney, Ben Rivers, and Eyal Sivan

Copublished with the Haus der Kulturen der Welt (HKW), Berlin

About the Author

Erika Balsom is a Lecturer in Film Studies and Liberal Arts at King's College London and the author of Exhibition Cinema in Contemporary Art.

Hila Peleg is a curator and filmmaker based in Berlin and the founder and artistic director of the Berlin Documentary Forum.