Donald Judd

Raskin, David, Fuchs, Rudi, Batchelor, David, Schiff, Richard, Serota, Nicholas

ISBN 10: 1891024892 / ISBN 13: 9781891024894

Published by D.A.P./Distributed Art Publishers, 2004

About this Item

Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Seller Inventory # 11995748-6

Bibliographic Details

• Title: Donald Judd
• Publisher: D.A.P./Distributed Art Publishers
• Publication Date: 2004
• Language: English
• ISBN 10: 1891024892
• ISBN 13: 9781891024894
• Binding: Hardcover
• Condition: Good
• Weight: 4.42 pounds

About this title

Synopsis

One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today.

About the Author

Donald Judd was born in 1928. Convinced that Abstract Expressionism had deteriorated into fakery, Judd began around 1960 to search for an art free of falsehood. In search of a greater simplicity and clarity, he evolved a formal vocabulary of identical rectangular units constructed of industrial materials. He died in 1994.