Doors of Perception. This item is unavailable.Doors of Perception

Intr-o dimineata din primavara anului 1953, Aldous Huxley ia patru zecimi de gram de mescalina si asteapta rabdator sa vada ce se intimpla. Dupa un timp, constata ca totul, de la florile din vaza pina la cutele pantalonilor, e complet schimbat: culorile sint mai intense si mai luminoase, iar timpul si spatiul par sa nu aiba nici o importanta. Huxley noteaza cu lux de amanunte senzatiile traite in Portile perceptiei, conchizind ca halucinogenele stimuleaza creativitatea si brodind pe marginea efectelor pe care asemenea experiente le-ar putea avea asupra artei si religiei. In continuarea acestui eseu devenit clasic, Raiul si iadul arata ca halucinogenele pot fi folosite si pentru a ajunge la o perceptie spirituala si la revelatia personala. Raiul si iadul se refera aici, metaforic, la ceea ce Huxley considera a fi doua stari contrarii care se pot manifesta la „antipozii mintii” atunci cind se deschid „portile perceptiei” – nu doar in cadrul experientelor mistice, ci si in viata de zi cu zi.

Sometimes a writer has to revisit the classics, and here we find that "gonzo journalism"--gutsy first-person accounts wherein the author is part of the story--didn't originate with Hunter S. Thompson or Tom Wolfe. Aldous Huxley took some mescaline and wrote about it some 10 or 12 years earlier than those others. The book he came up with is part bemused essay and part mystical treatise--"suchness" is everywhere to be found while under the influence. This is a good example of essay writing, journal keeping, and the value of controversy--always--in one's work.