Double Crossed

Frederick W. Gooding Jr.

ISBN 10: 1496854306 / ISBN 13: 9781496854308

Published by University Press of Mississippi, US, 2025

About this Item

Despite Hollywood's recent efforts to appeal to more racially diverse audiences, mainstream movies routinely present a limited view of nonwhites generally, and Black women specifically, in stark contrast to the broadly developed spectrum of white characters. Black women characters are frequently rendered invisible, and even in films featuring their image, Black women characters too often fall prey to historically stereotypical patterns. These consistently marginalized Black female images serve to reflect and reinforce messages of racial imbalance distributed worldwide. In Double Crossed: Black Female Intersectionality in Hollywood, author Frederick W. Gooding Jr. chronicles the Black female experience through the lens of Hollywood. Gooding begins by contextualizing the origins of early Black female imagery onscreen, largely restricted to the domestic mammy figure, then traces how these images have shifted over time. Through close readings of such films as Gone with the Wind, Bringing Down the House, The Princess and the Frog, and The Help, as well as case studies looking at Oprah Winfrey and Shonda Rhimes, Gooding considers not only the image the Black woman creates, but also the shadow she casts. In other words, he argues, these consistent patterns of racial imagery reflect and reinforce messages of racial imbalance distributed worldwide. Overall, the volume demonstrates the historical, economic, and social consequences of Hollywood's distorted representation of Black women onscreen and in real life.

Seller Inventory # LU-9781496854308

Bibliographic Details

• Title: Double Crossed
• Publisher: University Press of Mississippi, US
• Publication Date: 2025
• Language: English
• ISBN 10: 1496854306
• ISBN 13: 9781496854308
• Binding: Hardback
• Condition: New

About this title

Synopsis

Despite Hollywood’s recent efforts to appeal to more racially diverse audiences, mainstream movies routinely present a limited view of nonwhites generally, and Black women specifically, in stark contrast to the broadly developed spectrum of white characters. Black women characters are frequently rendered invisible, and even in films featuring their image, Black women characters too often fall prey to historically stereotypical patterns. These consistently marginalized Black female images serve to reflect and reinforce messages of racial imbalance distributed worldwide.

In Double Crossed: Black Female Intersectionality in Hollywood, author Frederick W. Gooding Jr. chronicles the Black female experience through the lens of Hollywood. Gooding begins by contextualizing the origins of early Black female imagery onscreen, largely restricted to the domestic mammy figure, then traces how these images have shifted over time. Through close readings of such films as Gone with the Wind, Bringing Down the House, The Princess and the Frog, and The Help, as well as case studies looking at Oprah Winfrey and Shonda Rhimes, Gooding considers not only the image the Black woman creates, but also the shadow she casts. In other words, he argues, these consistent patterns of racial imagery reflect and reinforce messages of racial imbalance distributed worldwide. Overall, the volume demonstrates the historical, economic, and social consequences of Hollywood’s distorted representation of Black women onscreen and in real life.

About the Author

Frederick W. Gooding Jr. is the Dr. Ronald E. Moore Endowed Professor in Humanities and associate professor of African American studies within the John V. Roach Honors College at Texas Christian University. Featured in national outlets such as the New York Times, USA Today, and Time magazine, Gooding is a professor of popular culture who engages audiences on subtle racial patterns "hidden in plain sight." He is also author of Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans and Race and Media Literacy, Explained (or Why Does the Black Guy Die First?).