Dougong: The Cultural Geometry of the Chinese Bracket Set (Spatial Habitus: Making and Meaning in Asia's Architecture)

Harrer, Alexandra

ISBN 10: 0824895568 / ISBN 13: 9780824895563

Published by University of Hawaii Press, 2025

About this Item

Seller Inventory # I-9780824895563

Bibliographic Details

• Title: Dougong: The Cultural Geometry of the Chinese Bracket Set (Spatial Habitus: Making and Meaning in Asia's Architecture)
• Publisher: University of Hawaii Press
• Publication Date: 2025
• Language: English
• ISBN 10: 0824895568
• ISBN 13: 9780824895563
• Binding: Hardcover
• Condition: New

About this title

Synopsis

This is the first English-language study devoted to dougong, the block-bracket cluster widely regarded as the epitome of traditional Chinese architecture. For almost two millennia, dougong have been central to the multipartite frame structure of wooden buildings, connecting columns with beams, supporting projecting eaves, and providing resistance to earthquake damage. They have enabled and required builders to ensure both the functionality and the moral dimension of their designs through the thoughtful use of appropriately graded timbers and corresponding methods of modular design that determine the size and quality of a building in keeping with the social standing of its owner.

Richly illustrated with original high-quality photographs and drawings, this book explores the engaging story of dougong as technical artifacts that embody Chinese culture. Alexandra Harrer delves into the previously unresolved relationship between standard dougong and their regional and local variations in the rhetoric of Chinese construction, offering an alternative to sociopolitical caste as a means of interpreting these differences. She untangles the lengthy selection process and trial-and-error development of the block-bracket cluster before codification to reveal how design idiosyncrasies derived from an unlikely combination of legal codes and ethical imperatives. For example, dougong with arms projecting at a 45- or 60-degree angle from the wall plane―long dismissed as unorthodox―are shown to be a subtle design expression that yields to authority while it seeks to exploit archi-cultural standards. Harrer argues that the ethical dimensions of graphic shapes and the culturally charged space that dougong occupy are key to understanding this creative process.

About the Authors

Alexandra Harrer is an architectural historian trained in Central Europe, China, Japan, and the United States. In the past ten years, she has served as Historian in Residence in the Forbidden City and as associate professor at the Tsinghua University School of Architecture. Harrer is currently a UNESCO World Heritage site manager in her home country, Austria.

Ronald G. Knapp, SUNY Distinguished Professor Emeritus, State University of New York, New Paltz, where he taught from 1968 to 2001, has been carrying out research on the cultural and historical geography of China since 1965. He is the author or editor of more than twenty books concerning the vernacular architecture of China and Southeast Asia.