Drawing as Design Process (Hardcover)

Peter Olpe

ISBN 10: 3721203194 / ISBN 13: 9783721203196

Published by Niggli Verlag, Sulgen, 1999

About this Item

Hardcover. The subject of this book is drawing as the catalyst of design processes. The electronic creation and production of images in all the design professions has led today to fundamental changes in the design processes. Hence, drawing has gained a new importance. Designing by drawing mobilises the eye, the head and the hand to an equal degree, and it establishes connections among the senses that the designer can only experience in a very limited way on the computer screen. The electronic creation and production of images in all the design professions has led today to fundamental changes in the design processes. Hence, drawing has gained a new importance. This work focuses on drawing as the catalyst of design processes. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Seller Inventory # 9783721203196

Bibliographic Details

• Title: Drawing as Design Process (Hardcover)
• Publisher: Niggli Verlag, Sulgen
• Publication Date: 1999
• Language: English
• ISBN 10: 3721203194
• ISBN 13: 9783721203196
• Binding: Hardcover
• Condition: new

About this title

Synopsis

The subject of this book is drawing as the catalyst of design processes. The electronic creation and production of images in all the design professions has led today to fundamental changes in the design processes. Hence, drawing has gained a new importance. Designing by drawing mobilises the eye, the head and the hand to an equal degree, and it establishes connections among the senses that the designer can only experience in a very limited way on the computer screen.

From the Back Cover

The electronic creation and production of images in all the design professions has led today to fundamental changes in the design processes. Hence, drawing has gained a new importance. Designing by drawing mobilizes the eye, the head and the hand to an equal degree, and it establishes connections among the senses that the designer can only experience in a very limited way on the computer screen.