Six Drawing Lessons (The Charles Eliot Norton Lectures)

William Kentridge

ISBN 10: 0674365801 / ISBN 13: 9780674365803

Published by Harvard University Press, 2014

About this Item

Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Series: The Charles Eliot Norton Lectures. Num Pages: 208 pages, illustrations (colour). BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 146 x 237 x 21. Weight in Grams: 496. . 2014. y First printing. Hardcover. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780674365803

Bibliographic Details

• Title: Six Drawing Lessons (The Charles Eliot Norton Lectures)
• Publisher: Harvard University Press
• Publication Date: 2014
• Language: English
• ISBN 10: 0674365801
• ISBN 13: 9780674365803
• Binding: Hardcover
• Condition: New

About this title

Synopsis

“A beautiful and necessary book...as brisk as it is insightful.”―Choice

South Africa’s most celebrated artist on art, colonialism, and studio practice.

Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio.

Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.”

Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms―and deceptions―through which we construct meaning in the world.

About the Author

William Kentridge is an animator, illustrator, printmaker, sculptor, and theater director based in Johannesburg, South Africa. A member of the American Philosophical Society, Kentridge’s diverse works have been exhibited at museums worldwide, including the Museum of Modern Art, the Tate Modern, and Kunstmuseum Basel. As a director, he has staged productions of Shostakovich’s The Nose and Berg’s Lulu at the Metropolitan Opera and Mozart’s The Magic Flute at the Brooklyn Academy of Music and Le Théâtre Royal de la Monnaie in Brussels.