Drawn from Life
Language: English
Published by Edinburgh University Press, GB, 2020
Series: Book 9 of 16 - Edinburgh Studies in Film and Intermediality
- Softcover
- New

Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
AbeBooks seller since June 10, 2025
Condition: New
US$ 50.67
Quantity: Over 20 available
Add to basketItem description from seller
Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.
Seller Inventory # LU-9781474431828
- Title
- Drawn from Life
- Author
- Nea Ehrlich
- Publisher
- Edinburgh University Press, GB
- Publication year
- 2020
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1474431828
- ISBN 13
- 9781474431828
- Item weight
- 363 grams
- Series
- Book 9 of 16: Edinburgh Studies in Film and Intermediality
Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.
"Synopsis" may belong to another edition of this title.
About the Author
Nea Ehrlich is Lecturer in The Department of the Arts at Ben Gurion University of the Negev in Israel.
"About the title" may belong to another edition of this title.
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