Synopsis
Marcel Duchamp is today considered one of the most significant 20th century artists worldwide. His far-reaching influence is visible within a variety of areas of creative production and critical inquiry, extending far beyond the world of art. Duchamp Accelerated: Contemporary Perspectives examines Duchamp and his reception through a series of essays that explore the ongoing impacts of his life, ideas and practice on innumerable fields of research, practice and study. Contributors include art historians, curators, artists and writers who offer histories and approaches that actively challenge dominant narratives on Duchamp, discussing his influences from a multitude of different disciplinary and cultural perspectives. Written in the specific context of the 21st century, this volume situates the artist firmly in a global context and highlights the numerous influences – from theories of perception and the writings of Georges Bataille, to travels in Argentina – that shaped his ideas and art. This volume pushes current understandings of Duchamp beyond existing limits by accelerating the histories, encounters, dialogues and interpretations of his practice, with a focus on contemporary perspectives. The 'accelerated' Duchamp that emerges from this analysis is one who not only speeds up notions of art in relation to cultural and political histories, but one whose practice is actively informing future developments in the worlds of art and material culture today.
About the Authors
Julian J. Haladyn is Assistant Professor of Art History at Ontario College of Art & Design University, Canda. A cultural theorist and independent curator, he is the author of several books including Duchamp, Aesthetics, and Capitalism (2019), Boredom and Art: Passions of the Will To Boredom (2014) and Marcel Duchamp: Étant donnés (2010). In addition, he is co-editor of Community of Images: Strategies of Appropriation in Canadian Art, 1977-1990 (2022) and the Boredom Studies Reader (2016).
Abigail Susik is Associate Professor of Art History at Willamette University, USA, and joint editor of the Transnational Surrealism series. She is the author of Surrealist Sabotage and the War on Work (2021), editor of Resurgence! Jonathan Leake, Radical Surrealism, and the Resurgence Youth Movement, 1964-1967 (2023), and coeditor of the volumes Surrealism and Film after 1945: Absolutely Modern Mysteries (2021) and Radical Dreams: Surrealism, Counterculture, Resistance (2022).
Krzysztof Fijalkowski is Professor of Visual Culture at Norwich University of the Arts, UK. He has published in the history and theory of Surrealism, and is co-editor of Bloomsbury's Transnational Surrealism series.
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