When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomn�n of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis.

This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)

About the Author

Jennifer O’Reilly received her B.A. Honours degree in History in 1964, and her Ph.D. in Art History in 1972, both in the University of Nottingham. Her monograph, Studies in the Iconography of the Virtues and Vices in the Middle Ages was published in 1988. A book of essays in her honour was published in 2011: Listen, o isles, unto me: studies in medieval word and image.

Dr Carol A. Farr is an art historian specialising in the early medieval art of Ireland and Britain. She teaches courses on early medieval manuscripts for the Institute of English Studies, University of London.

Dr Elizabeth Mullins lectures in the School of History, University College Dublin. Her research interests include the exegesis of early medieval gospel books and the record-keeping traditions of Irish religious congregations.

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