Elsa Morante's Politics of Writing: Rethinking Subjectivity, History, and the Power of Art

Lucamante, Stefania (Editor)/ Bérard, Claude Cazalé (Contributor)/ Carey, Sarah (Contributor)/ Cartoni, Flavia (Contributor)/ Cascio, Gandolfo (Contributor)

ISBN 10: 1611477964 / ISBN 13: 9781611477962

Published by Fairleigh Dickinson Univ Pr, 2016

About this Item

reprint edition. 284 pages. 9.00x6.00x0.75 inches. In Stock.

Seller Inventory # x-1611477964

Bibliographic Details

• Title: Elsa Morante's Politics of Writing: Rethinking Subjectivity, History, and the Power of Art
• Publisher: Fairleigh Dickinson Univ Pr
• Publication Date: 2016
• Language: English
• ISBN 10: 1611477964
• ISBN 13: 9781611477962
• Binding: Paperback
• Condition: Brand New
• Weight: 0.45 kilograms

About this title

Synopsis

Elsa Morante’s Politics of Writing is a collected volume of twenty-one essays written by Morante specialists and international scholars. Essays gather attention on four broad critical topics, namely the relationship Morante entertained with the arts, cinema, theatre, and the visual arts; new critical approaches to her four novels; treatment of body and sexual politics; and Morante’s prophetic voice as it emerges in both her literary works and her essayistic writings. Essays focus on Elsa Morante’s strategies to address her wide disinterest (and contempt) for the Italian intellectual status quo of her time, regardless of its political side, while showing at once her own kind of ideological commitment. Further, contributors tackle the ways in which Morante’s writings shape classical oppositions such as engagement and enchantment with the world, sin and repentance, self-reflection, and corporality, as well as how her engagement in the visual arts, theatre, and cinematic adaptations of her works garner further perspectives to her stories and characters. Her works―particularly the novels Menzogna e sortilegio (House of Liars, 1948), La Storia: Romanzo (History: A Novel, 1974) and, more explicitly, Aracoeli (Aracoeli, 1982)―foreshadowed and advanced tenets and structures later affirmed by postmodernism, namely the fragmentation of narrative cells, rhizomatic narratives, lack of a linear temporal consistency, and meta- and self-reflective processes.

About the Authors

Thomas Harrison is Professor of Ancient History at the University of St Andrews, UK. His publications include Divinity and History: the religion of Herodotus (2000), The Emptiness of Asia: Aeschylus' Persians and the history of the fifth century (2000); as editor Greeks and Barbarians (2002) and the Edinburgh Companion to Ancient Greece and Rome (2006).

Sharon Wood is professor (emerita) at the University of Leicester and the author and editor of numerous books on writing by women in Italy. She has published several translations, including works by Primo Levi, Romana Petri, Gabriella Maleti, Susanna Tamaro and Dacia Maraini.