Synopsis
This volume of essays combines research from neuroscience, conscious studies, methods of training performers, modes of creating a staged narrative, Asian aesthetics, and post-modern theories of performance in an examination of the relationship between consciousness and performance.
About the Author
Mary Elizabeth Anderson, Wayne State University, USA Gabriella Calchi-Novati, Trinity College, Dublin Elizabeth Carlin-Metz, Knox College, USA Bonnie J. Eckard, Arizona State University, USA Eve Katsouraki, University of East London, UK David V. Mason, Rhodes College, USA Bella Merlin, actor and writer, University of Birmingham, UK Doug Rosson, Bradley University, USA Devika Wasson (1981-2011), University of Hawaii, USA R. Andrew White, Valparaiso University, USA Dahlia W. Zaidel, University of California, USA
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