Embodied Human-Computer Interaction in Vocal Music Performance

Franziska Baumann

ISBN 10: 3031179846 / ISBN 13: 9783031179846

Published by Springer International Publishing, Springer Nature Switzerland Jan 2023, 2023

About this Item

This item is printed on demand - it takes 3-4 days longer - Neuware -This SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented.The book is essential reading not only for musicians, composers, researchers, applicationdevelopers,musicologists and educators but also for students and tertiary institutions aswell as actors and dramaturgs in a music context. 96 pp. Englisch.

Seller Inventory # 9783031179846

Bibliographic Details

• Title: Embodied Human-Computer Interaction in Vocal Music Performance
• Publisher: Springer International Publishing, Springer Nature Switzerland Jan 2023
• Publication Date: 2023
• Language: English
• ISBN 10: 3031179846
• ISBN 13: 9783031179846
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 235W x 155H x 6D millimeters 235 millimeters width by 155 millimeters height by 6 millimeters depth
• Weight: 160 grams

About this title

Synopsis

This SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented.

The book is essential reading not only for musicians, composers, researchers, application developers,musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context. 

From the Back Cover