Embodied Politics in Visual Autobiography
Language: English
Published by University of Toronto Press, 2014
Series: Book 12 of 23 - Cultural Spaces
- Softcover
- New

Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography's involvement in the global cultural politics of health, disability, and the body. Editor(s): Brophy, Sarah; Hladki, Janice. Series: Cultural Spaces. Num Pages: 320 pages, 17. BIC Classification: AB; APFA; JFD. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 153 x 21. Weight in Grams: 494. . 2014. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9781442616097
- Title
- Embodied Politics in Visual Autobiography
- Author
- . Ed(s): Brophy, Sarah; Hladki, Janice
- Publisher
- University of Toronto Press
- Publication year
- 2014
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1442616091
- ISBN 13
- 9781442616097
- Series
- Book 12 of 23: Cultural Spaces
From reality television to film, performance, and video art, autobiography is everywhere in today’s image-obsessed age. With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography’s involvement in the global cultural politics of health, disability, and the body. This provocative collection looks at images of selfhood and embodiment in a variety of media and with a particular focus on bodily identities and practices that challenge the norm: a pregnant man in cyberspace, a fat activist performance troupe, indigenous artists intervening in museums, transnational selves who connect disability to war, and many more.
The chapters in Embodied Politics in Visual Autobiography reflect several different theoretical approaches but share a common concern with the ways in which visual culture can generate resistance, critique, and creative interventions. With contributions that investigate digital media, installation art, graphic memoir, performance, film, reality television, photography, and video art, the collection offers a wide-ranging critical account of what is clearly becoming one of the most important issues in contemporary culture.
"Synopsis" may belong to another edition of this title.
About the Author
Janice Hladki is an associate professor of Theatre and Film Studies in the School of the Arts at McMaster University.
"About the title" may belong to another edition of this title.
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