Dust jacket condition: Near Fine. Touch of wear to jacket. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates. This book is too large for our scanner so a partial cover image is shown. Emily Carr's life and work are familiar, but what kind of world shaped this fascinating artist? In the rigid Victorian era, she championed Northwest monumental art. A nature lover, she kept a boardinghouse in the city. Ten essays by distinguished curators and critics offer compelling insight, examining Carr's interactions with other artists, the influence on her work by the First Nations, and the cultural zeitgeist that shaped her goals and aesthetic. Hundreds of images form a vivid narrative of the times. 320 pages.

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Bibliographic Details

Title

Emily Carr

Publisher

Douglas & McIntyre

Publication Date

2006

Language

English

ISBN 10

1553651731

ISBN 13

9781553651734

Binding

Hardcover

Condition

Fine

Dust Jacket Condition

Near Fine

Dimensions

Weight

54 ounces

Seller catalogs

Art Monographs & Catalogs

About this title

Synopsis

Defiant Victorian, drawn to the deep forest and the open sky. Early recorder of Northwest Coast monumental art. Painter. Writer. Humorist. Emily Carr is all of these, and she is uniue in the Canadian cultural pantheon.

We know much about Emily Carr, but what of the social and political contexts that surrounded her, that defined her image and her posterity?

This groundbreaking book by three distinguished senior curators -- Charles C. Hill, Johanne Lamoureux, Ian M. Thom -- and seven equally distinguished Canadian essayists -- Jay Stewart & Peter Macnair, Shirley Bear & Susan Crean, Marcia Crosby, Andrew Hunter, and Gerta Moray -- sheds new light on Emily Carr and her world.

About the Authors

Ian M. Thom is a Senior Curator-Historical at the Vancouver Art Gallery. Involved in Canadian art museums for more than thirty years, he has also held senior curatorial positions at the Art Gallery of Greater Victoria and the McMichael Canadian Art Collection. He has organized more than one hundred exhibitions and written numerous articles and authored or co-authored many books, including Robert Davidson: Eagle of the Dawn, Andy Warhol: Images, Art BC, E.J. Hughes, Takao Tanabe, B.C. Binning, Emily Carr: New Perspectives on a Canadian Icon and Challenging Traditions: Contemporary First Nations Art of the Northwest Coast. He lives in Vancouver, BC.

Charles C. Hill, Curator of Canadian Art at the National Gallery of Canada, studied at McGill University and the University of Toronto.

"About this title" may belong to another edition of this title.

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