Emotions in Rituals and Performances: South Asian and European Perspectives on Rituals and Performativity
Language: English
Published by Routledge India, 2016
- Softcover
- New

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pp. 470.
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- Title
- Emotions in Rituals and Performances: South Asian and European Perspectives on Rituals and Performativity
- Publisher
- Routledge India
- Publication year
- 2016
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1138664820
- ISBN 13
- 9781138664821
Challenging the idea that rituals are static and emotions irrational, the volume explores the manifold qualities of emotions in ritual practices. Focusing explicitly on the relationship between emotions and rituals, it poses two central questions. First, how and to what extent do emotions shape rituals? Second, in what way are emotions ritualized in and beyond rituals? Strong emotions are generally considered to be more spontaneous and uncontrolled, whereas ritual behaviour is regarded as planned, formalized and stereotyped, and hence less emotional. However, as the volume demonstrates, rituals often reveal strong emotions among participants, are motivated by feelings, or are intended to generate them.
The essays discuss the motivation for rituals; the healing function of emotions; the creation of new emotions through new media; the aspect of mimesis in the generation of feelings; individual, collective, and non-human emotions; the importance of trance and possession; staged emotions and emotions on stage; emotions in the context of martyrdom; emotions in Indian and Western dance traditions; emotions of love, sorrow, fear, aggression, and devotion. Furthermore, aesthetic and sensory dimensions, as well as emic concepts, of emotions in rituals are underscored as relevant in understanding social practice.
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About the Author
Axel Michaels is Professor of Classical Indology, South Asia Institute, University of Heidelberg.
Christoph Wulf is Professor of Anthropology and Philosophy of Education, Interdisciplinary Centre for Historical Anthropology, Collaborative Research Centre (SFB) ‘Cultures of Performance’, Cluster ‘Languages of Emotion’, Freie Universität Berlin.
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