Encountering Ensemble (Performance Books)

David Barnett is Professor of Theatre at the University of York, UK. He has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre. His history of
the Berliner Ensemble was published in 2015, and he edited the anthology of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014).

Michael Boyd (1955-2023) was a British theatre director. He trained at the Malaya Bronnaya Theatre in Moscow and worked at a number of significant theatres in the United Kingdom, including The Belgrade Theatre, Coventry, The Sheffield Crucible and The Tron (Glasgow) before becoming Artistic Director of the Royal Shakespeare Company in 2003 – a position he held until 2012.

Bryan Brown is a theatre artist with ARTEL as well as a producer and pedagogue with Art Via Corpora Performance Research and Development House, both based in Hollywood, California. His research centers on psychophysical training, ensemble creation and the theatre laboratory.

Frank Camilleri is Professor of Theatre Studies at the University of Malta and Artistic Director of Icarus Performance Project (www.icarusproject.info). His publications on performer training, theatre as a laboratory, and practice as research reflect the theatre work he has been developing since 1989. He is also a long-distance runner.

Paul Carr is Professor Emeritus in Popular Music Analysis at the University of South Wales, UK. His research interests focus on musicology, the music industry and pedagogical frameworks for music related education. His most recent publications include co-editing The Bloomsbury Handbook of Rock Music Research (2020), an economic assessment of the Welsh Music Industry (2022) and editorship of a special double edition of the Journal of World Popular Music on the impacts of Covid-19 (2022). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and ex-Miles Davis saxophonist Bob Berg.