English Filming, English Writing (Paperback)

Jefferson Hunter

ISBN 10: 0253221773 / ISBN 13: 9780253221773

Published by Indiana University Press, Bloomington, IN, 2010

About this Item

Paperback. Jefferson Hunter examines English films and television dramas as they relate to English culture in the 20th century. He traces themes such as the influence of U.S. crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward leads to a discussion of music and image in works like Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day. Examines English films and television dramas as they relate to English culture in the 20th century. This book traces themes such as the influence of US crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s. It also analyzes the documentary "Listen to Britain". Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9780253221773

Bibliographic Details

• Title: English Filming, English Writing (Paperback)
• Publisher: Indiana University Press, Bloomington, IN
• Publication Date: 2010
• Language: English
• ISBN 10: 0253221773
• ISBN 13: 9780253221773
• Binding: Paperback
• Condition: new

About this title

Synopsis

Jefferson Hunter examines English films and television dramas as they relate to English culture in the 20th century. He traces themes such as the influence of U.S. crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward leads to a discussion of music and image in works like Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day.

About the Author

A former department chair and director of film studies, Jefferson Hunter is the Helen and Laura Shedd Professor of English and Film Studies at Smith College. He teaches courses in modern literature and film. His previous publications include Edwardian Fiction; Image and Word: The Interaction of Twentieth-Century Photographsand Texts; and How to Read Ulysses, and Why.