Entanglements, or Trans-Medial Thinking About Capture: Entanglements, or Trans-Medial Thinking About Capture

Chow, Rey

ISBN 10: 0822352303 / ISBN 13: 9780822352303

Published by Duke Univ Pr, 2012

About this Item

216 pages. 9.50x6.00x0.75 inches. In Stock.

Seller Inventory # x-0822352303

Bibliographic Details

• Title: Entanglements, or Trans-Medial Thinking About Capture: Entanglements, or Trans-Medial Thinking About Capture
• Publisher: Duke Univ Pr
• Publication Date: 2012
• Language: English
• ISBN 10: 0822352303
• ISBN 13: 9780822352303
• Binding: Paperback
• Condition: Brand New
• Weight: 0.31 kilograms

About this title

Synopsis

How might the pornographic be associated with Brecht's and Benjamin's media theories? How are Foucault's and Deleuze's writings on visibilities "postcolonial"? What happens when Rancière's discussions of art are juxtaposed with cultural anthropology? What does a story by Lao She about collecting reveal about political collectivism in modern China? How does Girard's notion of mimetic violence speak to identity politics? How might Arendt's and Derrida's reflections on forgiveness be supplemented by a film by Lee Chang-dong? What can Akira Kurosawa's films about Japan say about American Studies? How is Asia framed transnationally, with what consequences for those who self-identify as Asian?

These questions are dispersively heterologous yet mutually implicated. This paradoxical character of their discursive relations is what Rey Chow intends with the word "entanglements," by which she means, first, an enmeshment of topics: the mediatized image in modernist reflexivity; captivation and identification; victimhood; the place of East Asia in globalized Western academic study. Beyond enmeshment, she asks, can entanglements be phenomena that are not defined by affinity or proximity? Might entanglements be about partition and disparity rather than about conjunction and similarity?
Across medial forms (including theater, film, narrative, digitization, and photographic art), and against more popular trends of declaring things and people to be in flux, Chow proposes conceptual frames that foreground instead aesthetic, ontological, and sentient experiences of force, dominance, submission, fidelity, antagonism, masochism, letting-go, and the attraction to self-annihilation. Boundary, trap, capture, captivation, sacrifice, and mimesis: these riveting terms serve as analytic pressure points in her readings, articulating perversity, madness, and terror to pursuits of freedom.

About the Author

Rey Chow is Anne Firor Scott Professor of Literature at Duke University. She is the author and editor of numerous books, including The Age of the World Target, also published by Duke University Press.