Equivalences (Hardcover)

Douglas Mandry

ISBN 13: 9791090306790

Published by RVB Books, Paris, 2019

About this Item

Hardcover. In a digital age of ever-faster technological innovation, Douglas Mandry explores the photographic medium. Using analog methods, he retouches each image by hand, using either vintage photographic processes or by physically cutting and pasting the images he works with.For "Unseen Sights", published in the book Equivalences, the Swiss photographer was inspired by early 20th century postcards from the Middle East. Using acrylic paint and an airbrush, he colorized black-and-white prints of landscapes in Cappadocia, Turkey, then re-photographed the compositions. Rather than merely reproducing images, the book offered the artist an opportunity to re-interpret the pictures. Playing with layers of color in print, the artist created a new representation using, this time, a mechanical process. The original images merge with the transformed pictures, sketching out a sequence with a non-linear narrative. The title of the book pays tribute to Stieglitz's famous "Equivalents" works, which depict vertical fragments of sky and clouds and are widely considered the first abstract photo series. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9791090306790

Bibliographic Details

• Title: Equivalences (Hardcover)
• Publisher: RVB Books, Paris
• Publication Date: 2019
• Language: English
• ISBN 13: 9791090306790
• Binding: Hardcover
• Condition: new

About this title

Synopsis

In a digital age of ever-faster technological innovation, Douglas Mandry explores the photographic medium using analog methods. For 'Unseen Sights', published in the book 'Equivalences', the Swiss photographer was inspired by early 20th-century postcards from the Middle East. Using acrylic paint and an airbrush, he colourized black-and-white prints of landscapes in Cappadocia, Turkey, then re-photographed the compositions. Rather than merely reproducing images, the book offered the artist an opportunity to re-interpret the pictures. Playing with layers of colour in print, the artist created a new representation using, this time, a mechanical process.