The Escape

David Schutter

ISBN 10: 022646119X / ISBN 13: 9780226461199

Published by The University of Chicago Press, US, 2021

About this Item

Charles Le Brun's drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter's work, Le Brun's manual is set to a different direction--a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter's drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun's renderings were made. Collected here, Schutter's work recreates not the subject matter but the very values of Lebrun's drawings--light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter's hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure--unlike their academic source material--and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.

Seller Inventory # LU-9780226461199

Bibliographic Details

• Title: The Escape
• Publisher: The University of Chicago Press, US
• Publication Date: 2021
• Language: English
• ISBN 10: 022646119X
• ISBN 13: 9780226461199
• Binding: Hardback
• Condition: New

About this title

Synopsis

Charles Le Brun’s drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter’s work, Le Brun’s manual is set to a different direction—a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter’s drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun’s renderings were made.

Collected here, Schutter’s work recreates not the subject matter but the very values of Lebrun’s drawings—light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter’s hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure—unlike their academic source material—and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.

About the Authors

David Schutter is professor in the Institut für Kunst at the Universität der Künste, Berlin and visiting professor in the Department of Visual Arts at the University of Chicago.
 

Dieter Roelstraete is the curator at the Neubauer Collegium for Culture and Society. He has served as a curator for documenta14 and the Museum of Contemporary Art in Chicago, and is the author or editor of several books.