The Essential Haiku: Versions of Basho, Buson, and Issa

"In classical haiku, one of the most constrained poetic forms, monkeys and herons and trees and the moon can stand in for the entire world. The best of these tiny poems can be at once specific and timeless, questioning and assertive, funny and sad." - Sarah Manguso, The Week

American readers have been fascinated, since their exposure to Japanese culture late in the nineteenth century, with the brief Japanese poem called the hokku or haiku. The seventeen-syllable form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku has served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams and also as an example of spontaneity and Zen alertness to the new poets of the 1950's.

This definite collection brings together in fresh translations by an American poet the essential poems of the three greatest masters: Matsuo Basho in the seventeenth century; Yosa Buson in the eighteenth century; and Kobayashi Issa in the early nineteenth century.

Robert Haas has written a lively and informed introduction, provided brief examples by each poet of their work in the halibun, or poetic prose form, and included informal notes to the poems. This is a useful and inspiring addition to The Essential Poets series.

Robert Hass is the author of two earlier collections of poems, Field Guide and Praise, and a book of essays, Twentieth Century Pleasures. He has also collaborated with Czeslaw Milosz on the translation of his poems, most recently Collected Poems. His many honors include a John D. and Catherine T. MacArthur fellowship and the 1984 National Book Critics Circle Award in criticism. He has taught for many years at St. Mary's College of California and is currently a professor of English at the University of California, Berkeley.