The Ethos of Noh. Actors and Their Art.

Eric C. Rath

ISBN 10: 0674021207 / ISBN 13: 9780674021204

Published by Harvard University, Asia Center, 2006

About this Item

Since the inception of the noh drama centuries ago, actors have resisted the notion that noh rests on natural talent alone. This book describes how memories of the past become traditions, and the role of these traditions in the institutional development of the noh theatre from its beginnings in the 14th Century through the late 20th Century. Series: Harvard East Asian Monographs. Num Pages: 325 pages, 8 colour illustrations, 4 halftones, 5 line illustrations. BIC Classification: 1FPJ; AN. Category: (P) Professional & Vocational. Dimension: 226 x 151 x 23. Weight in Grams: 486. . 2006. New ed. Paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780674021204

Bibliographic Details

• Title: The Ethos of Noh. Actors and Their Art.
• Publisher: Harvard University, Asia Center
• Publication Date: 2006
• Language: English
• ISBN 10: 0674021207
• ISBN 13: 9780674021204
• Binding: Soft cover
• Condition: New

About this title

Synopsis

Since the inception of the noh drama six centuries ago, actors have resisted the notion that noh rests on natural talent alone. Correct performance, they claim, demands adherence to traditions. Yet what constitutes noh’s traditions and who can claim authority over them have been in dispute throughout its history. This book traces how definitions of noh, both as an art and as a profession, have changed over time. The author seeks to show that the definition of noh as an art is inseparable from its definition as a profession.

The aim of this book is to describe how memories of the past become traditions, as well as the role of these traditions in the institutional development of the noh theater from its beginnings in the fourteenth century through the late twentieth century. It focuses on the development of the key traditions that constitute the “ethos of noh,” the ideology that empowered certain groups of actors at the expense of others, and how this ethos fostered noh’s professionalization―its growth from a loose occupation into a closed, regulated vocation. The author argues that the traditions that form the ethos of noh, such as those surrounding masks and manuscripts, are the key traits that define it as an art.

About the Author

Eric C. Rath is Associate Professor of History at the University of Kansas.