Paperback. The oeuvre of the leading Czech avant-garde photographer Eugen Wiskovsky (1888-1964) is not large in size or subject range, but it is noteworthy in its originality, depth of ideas, and mastery. Wiskovsky's early New Objectivist works, from the late 1920s and early 1930s, sought artistic effect in apparently nonaesthetic objects: His inventive lighting and cropping allowed their elementary lines to stand out, to lose their worldly associations and take on potential metaphorical meanings. In his dynamic diagonal compositions, Wiskovsky was among the most radical practitioners of Czech Constructivism. His landscape work is similarly distinctive. With text from Vladim'r Birgus, a historian of photography and the head of the Institute of Creative Photography at Silesian University, Opava, in the Czech Republic. The oeuvre of the leading Czech avant-garde photographer Eugen Wiskovsky (1888-1964) is not large in size or subject range, but it is noteworthy in its originality, depth of ideas, and mastery. Wiskovsky's early New Objectivist works, from the late 1920s and early 1930s, sought artistic effect in apparently nonaesthetic objects: His inventive lighting and cropping allowed their elementary lines to stand out, to lose their worldly associations and take on potential metaphorical meanings. In his dynamic diagonal compositions, Wiskovsky was among the most radical practitioners of Czech Constructivism. His landscape work is similarly distinctive. With text from Vladimmr Birgus, a historian of photography and the head of the Institute of Creative Photography at Silesian University, Opava, in the Czech Republic. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: Eugen Wiskovsky (Paperback)
Publisher: Torst
Publication Date: 2006
Language: English
ISBN 10: 8072152661
ISBN 13: 9788072152667
Binding: Paperback
Condition: new

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The oeuvre of the leading Czech avant-garde photographer Eugen Wiskovsky (1888-1964) is not large in size or subject range, but it is noteworthy in its originality, depth of ideas, and mastery. Wiskovsky's early New Objectivist works, from the late 1920s and early 1930s, sought artistic effect in apparently nonaesthetic objects: His inventive lighting and cropping allowed their elementary lines to stand out, to lose their worldly associations and take on potential metaphorical meanings. In his dynamic diagonal compositions, Wiskovsky was among the most radical practitioners of Czech Constructivism. His landscape work is similarly distinctive. With text from Vladim'r Birgus, a historian of photography and the head of the Institute of Creative Photography at Silesian University, Opava, in the Czech Republic.

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