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Arario Gallery, Cheonan-shi, Chungcheongnam-do, Korea [Published date: 1996]. Softcover, 64 pp; illustrated throughout with full-page color and black-and-white plates; bilingual text in English and Korean; 30 x 25 cm. First edition. In very good condition. White pictorial wraps with French flaps printed in black, featuring a detail of Howe's painted metal sculpture "Twister" on front cover. Light surface rubbing and faint handling marks; binding tight; interior clean and unmarked. Published in conjunction with the exhibition Brad Howe, held June 19-July 7, 1996, at Arario Gallery, Cheonan, Korea. Includes the artist's statement (May 1996), a foreword by Chang-il Kim, President of Arario Industry Inc., and an essay by Etan Boritzer, "Brad Howe: Causes." The text explores Howe's synthesis of geometric and biomorphic form, his use of color as both structural and psychological element, and his dialogue with post-Constructivist and Pop-inflected abstraction. Plates reproduce Howe's major works of the mid-1990s in vivid color, among them Twister, Minnesota, Nuvens, Bohemia, Cyber Rooster, and Corvo - sculptures in aluminum, stainless steel, and polyurethane distinguished by polished surfaces and exuberant chromatic patterns. Includes artist biography, solo and group exhibition history (1986-1996), selected corporate collections, and bibliography. Artist bio: Brad Howe (b. 1959 Riverside, CA) studied at Stanford University and the University of Sao Paulo and became known for his large-scale public and corporate commissions blending industrial fabrication with playful formalism. Includes a 5-page laid-in price sheet from BGH Gallery (Santa Monica) listing works by several artists, including Brad Howe, John Rose, and others.
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