Exploiting East Asian Cinemas: Genre, Circulation, Reception (Global Exploitation Cinemas)

Ken Provencher,Mike Dillon

ISBN 10: 1501354892 / ISBN 13: 9781501354892

Published by Bloomsbury Academic 2019-07-25, 2019

About this Item

Seller Inventory # 6666-IUK-9781501354892

Bibliographic Details

• Title: Exploiting East Asian Cinemas: Genre, Circulation, Reception (Global Exploitation Cinemas)
• Publisher: Bloomsbury Academic 2019-07-25
• Publication Date: 2019
• Language: English
• ISBN 10: 1501354892
• ISBN 13: 9781501354892
• Binding: Paperback
• Condition: New

About this title

Synopsis

From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.
Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”

About the Authors

Austin Fisher is Associate Professor of Popular Culture at Bournemouth University, UK, author of Radical Frontiers in the Spaghetti Western (2011), founding co-editor of the “Global Exploitation Cinemas” book series and editor of Spaghetti Westerns at the Crossroads (2015). He serves on the Editorial Board of the Transnational Cinemas journal, is Co-Chair of the SCMS “Transnational Cinemas” Scholarly Interest Group, and founder of the “Spaghetti Cinema” festival.

Johnny Walker is Associate Professor in the Department of Arts at Northumbria University, UK. He is the author of Contemporary British Horror Cinema: Industry, Genre and Society (2015) and founding co-editor of the Global Exploitation Cinemas book series (Bloomsbury).