Extreme Cinema (Paperback)
Language: English
Published by Edinburgh University Press, Edinburgh, 2017
- Softcover
- New

Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
AbeBooks seller since October 12, 2005
Condition: New
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Paperback. Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube reaction videos, Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body. Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Seller Inventory # 9781474426022
- Title
- Extreme Cinema (Paperback)
- Author
- Aaron Kerner
- Publisher
- Edinburgh University Press, Edinburgh
- Publication year
- 2017
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1474426026
- ISBN 13
- 9781474426022
Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube ‘reaction videos’, Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.
"Synopsis" may belong to another edition of this title.
About the Author
Jonathan L. Knapp is a graduate student in Film and Visual Studies at Harvard University. He spent a decade working at various film festivals, archives, and museums in the San Francisco Bay Area, and completed an MA in Cinema Studies at San Francisco State University. His research is motivated primarily by questions of space, place, and historical trauma―exploring the landscape in conjunction with violence, memory, and the spectral.
"About the title" may belong to another edition of this title.
Grand Eagle Retail
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AbeBooks seller since October 12, 2005
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