FLORIDA'S AMERICAN HERITAGE RIVER: IMAGES FROM THE ST. JOHNS REGION

O'Connor, Mallory M. & Gary Monroe & Bill Belleville

ISBN 10: 0813033527 / ISBN 13: 9780813033525

Published by University Press of Florida, 2009

About this Item

384 pp; 1/2 inch closed tear in corner of dust jacket else a like new book.

Seller Inventory # 96610

Bibliographic Details

• Title: FLORIDA'S AMERICAN HERITAGE RIVER: IMAGES FROM THE ST. JOHNS REGION
• Publisher: University Press of Florida
• Publication Date: 2009
• Language: English
• ISBN 10: 0813033527
• ISBN 13: 9780813033525
• Binding: Hardcover
• Condition: Very Good
• Dust Jacket Condition: Very Good

About this title

Synopsis

A visual journey, through time, along the St. Johns River

"Indispensable for anyone seeking to explore Florida beyond the brochures."--Herbert L. Hiller, author of Highway A1A: Florida at the Edge

"If you are looking for an elegant way to navigate up the St. Johns River without leaving your armchair, allow me to recommend spending time with this book. It is beautifully illustrated and a wonderful read."--John Delaney, president, University of North Florida

The mighty St. Johns River flows from its headwaters near Lake Okeechobee north through central Florida to Jacksonville. Its watershed covers an area nearly the size of New Hampshire. The river and its tributaries have been part of the cultural landscape of the peninsula for thousands of years. From the Native Americans who first settled along its banks to the French, Spanish, British, and American settlers who followed, it has been a source of food, water, transportation, industry, agriculture, and recreation.

In 1998 the St. Johns was declared an American Heritage River, the only one in Florida and one of only fourteen in the country to be so designated. Shortly thereafter, Mallory O'Connor and Gary Monroe began searching for and collecting paintings, sketches, sculptures, photographs, and material culture from the region.

Searching in antique shops and art galleries, nineteenth-century periodicals and twentieth-century fish camps, the authors found literally thousands of images. They selected the best two hundred for this volume, some from the fine art tradition as represented by Thomas Moran and Martin Johnson Heade; others by self-taught visionaries. The result is a broad survey that captures and celebrates the beauty, power, and impact of this unique landscape.

 

 

About the Authors

Mallory M. O'Connor is professor emerita of art history at Santa Fe College.

Gary Monroe, a native of Miami Beach, has photographed throughout Brazil, Israel, Cuba, India, Trinidad, Poland, and Egypt, among other international destinations. He is best known for his long-term photographic involvements with the elderly’s old world culture of South Beach, Haiti during the end of the Duvalier regime and foray into democracy, and tourism as a rite of passage. He has received various honors and distinctions for his work, including two National Endowments for the Arts, four Florida Humanities Council Fellowships, a State of Florida arts fellowship, and two Fulbright Foundation fellowships. Monroe is the author of The Highwaymen: Florida’s African-American Landscape Painters and three other books on Florida’s Highwaymen artists. He has written nine books, most of which acknowledge unrecognized self-taught Florida artists. His most recent book, E. G. Barnhill: Florida Photographer, Adventurer, Entrepreneur, highlights the artist’s hand-colored photographs.