Factories of Memory: Cinematic Representations of the 12 September Military Coup

Ozan Tekin

ISBN 10: 3954890798 / ISBN 13: 9783954890798

Published by Anchor Academic Publishing Jun 2013, 2013

About this Item

This item is printed on demand - it takes 3-4 days longer - Neuware -12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey. 60 pp. Englisch.

Seller Inventory # 9783954890798

Bibliographic Details

• Title: Factories of Memory: Cinematic Representations of the 12 September Military Coup
• Publisher: Anchor Academic Publishing Jun 2013
• Publication Date: 2013
• Language: English
• ISBN 10: 3954890798
• ISBN 13: 9783954890798
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 220W x 155H x 5D millimeters 220 millimeters width by 155 millimeters height by 5 millimeters depth
• Weight: 111 grams

About this title

Synopsis

12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey.

About the Author

Ozan Tekin is a recent graduate of the MA programme in European studies with a humanist profile at Lund University. His research interests encompass the representations of the 12 September military coup in Turkey's cinema as well as the relation between history and memory.