This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice.

The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections.

The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.

About the Author

Cameron Cartiere is a Professor at Emily Carr University of Art + Design (Vancouver, Canada). She is the author of RE/Placing Public Art, co-author of The Manifesto of Possibilities, and co-editor of The Practice of Public Art (with Shelly Willis), The Everyday Practice of Public Art (with Martin Zebracki), and The Routledge Companion to Art in the Public Realm (with Leon Tan)

Anthony Schrag is Senior Lecturer in Cultural Policy and Arts Management at Queen Margaret University (Edinburgh, Scotland). He is an artist and researcher and the central focus of his work examines the role of art in participatory and public contexts, with a specific focus on social conflict, agonism and ethics. He has published numerous papers and produced social practice projects both nationally and internationally.

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