A Fallen Idol Is Still a God

Elizabeth Cheresh Allen

ISBN 10: 0804753709 / ISBN 13: 9780804753708

Published by Stanford University Press, US, 2006

About this Item

A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.

Seller Inventory # LU-9780804753708

Bibliographic Details

• Title: A Fallen Idol Is Still a God
• Publisher: Stanford University Press, US
• Publication Date: 2006
• Language: English
• ISBN 10: 0804753709
• ISBN 13: 9780804753708
• Binding: Hardback
• Condition: New
• Weight: 540 grams

About this title

Synopsis

A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.

About the Author

Elizabeth Cheresh Allen is Professor of Russian and Comparative Literature at Bryn Mawr College; she is also Chair of the Department of Russian and Co-chair of the Bryn Mawr-Haverford Program in Comparative Literature. She is author of Beyond Realism: Turgenev's Poetics of Secular Salvation (1992), editor of The Essential Turgenev (1994), and coeditor of Freedom and Responsibility in Russian Literature (1995).