Blending biography, memoir and art criticism, Fancy Work: Unpicking Past Lives explores the ever-shifting tensions between family, labour and gender through the history of embroidery, or ‘fancy work’.

What can a scrap of embroidery tell us about how to live? How can the past help us imagine unconstrained lives when not all traces remain? To explore these questions, Alice Hattrick turns to the embroidery designer May Morris and her circle, including her father William Morris; her mother Jane, an artist’s model and embroiderer herself; and MF, May’s gender non-conforming partner of twenty years. Through this queer encounter with the Arts and Crafts movement, Hattrick shifts attention from dominant narratives of design towards intimacy, labour and domestic life. Looking to May – alongside others who have found in textiles a means of resistance – Hattrick traces connections between these histories and their own queer identity, family ties and precarious working conditions within an ableist society. Expansive in thought, form and time, Fancy Work together archival fragments, domestic spaces and ongoing sites of struggle, insisting on the political force of often overlooked acts of defiance.

About the Author

Alice Hattrick is a writer and lecturer based in London. Ill Feelings, their non-fiction book on chronic illness, intimacy and mother-daughter relationships, was published by Fitzcarraldo Editions in 2021. Alice’s criticism has been published in Art Review, frieze, The White Review and TANK, among other publications. They are the co-producer of Access Docs for Artists, made in collaboration with Leah Clements and the late Lizzy Rose, and teach at University of the Arts, London.

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