Far from the Madding Crowd (Signet Classics)

Thomas Hardy, Suzanne Keen

ISBN 10: 0451528565 / ISBN 13: 9780451528568

Published by Signet Classics, 2002

About this Item

[ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: reprint ] Publisher: Signet Classics Pub Date: 10/1/2002 Binding: Paperback Pages: 416 reprint edition.

Seller Inventory # 6901943

Bibliographic Details

• Title: Far from the Madding Crowd (Signet Classics)
• Publisher: Signet Classics
• Publication Date: 2002
• Language: English
• ISBN 10: 0451528565
• ISBN 13: 9780451528568
• Binding: Soft cover
• Condition: Good

About this title

Synopsis

After an unfortunate marriage to Sergeant Troy and an affair with Farmer Boldwood, Bathsheba Everdene finally becomes the wife of the man who has always loved her, in an authoritative edition of the uncensored 1912 text. Reprint.

About the Author

Thomas Hardy was born on June 2, 1840. In his writing, he immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He died on January 11, 1928, and was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.

Suzanne Keen, Professor of English at Washington and Lee University, is the author of two books on English fiction, Romances of the Archive in Contemporary British Fiction  (Toronto, 2001) and Victorian Renovations of the Novel: Narrative Annexes and the Boundaries of Representation (Cambridge, 1998).  A recipient of a fellowship from the National Endowment for the Humanities for her academic work, she also reviews books for Commonweal magazine and serves as a vice president of the Thomas Hardy Association.