How has the fashion industry responded to turn-of-the-millennium non-binary identities? Do they have a supportive or exploitative relationship with queer, trans and ageing subjects? Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.

Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri's 'We Should All Be Feminists' catwalk show for Dior (Spring-Summer 2017), Alexander McQueen's 'The Widows of Culloden' collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015. Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele's cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougar�de's Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.

About the Authors

Paul Jobling is Visiting Professor, MA Fashion Studies, Parsons New School, Paris, France. He is the author of Man Appeal (Berg, 2005).

Philippa Nesbitt is a PhD candidate in Communication and Culture at Toronto Metropolitan University, and holds an MA in Fashion Studies from The New School, Parsons Paris. Her research explores the representations and experiences of multiply-marginalized people within the contemporary global fashion industry and evaluates fashion as a tool for social change.

Angelene Wong is a doctoral candidate at the School of Art, Design and Media at Nanyang Technological University and holds the MA in Fashion Studies from The New School, Parsons Paris. Her research interest is in the intersection of fashion and performance. Angelene is also a part-time lecturer at the School of Fashion at Lasalle College of the Arts. She is the co-author of Fashion, Identity, Image (Bloomsbury 2022).

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