Fast One

It's the last days of Prohibition and the first days of the Depression and East Coast crime bosses are vying for control of Los Angeles. Caught in the middle of the intrigues is Gerry Kells, a former New York enforcer now living a life of ease on the West Coast. As the fiercely independent Kells rejects the appeals of various crime bosses who want to make use of his talents, powerful forces align against him. Being framed for a murder turns out to be the least of his troubles and as the stakes get higher, and the odds get longer, it's only Kells' nerve and toughness that keep him one step ahead of the law—and the reaper. Featuring one of the most brutal finales in crime fiction history, this lost 1933 masterpiece took hard-boiled writing as far is it safely could. Some say too far.

Paul Cain was a writer of crime stories who was chosen to replace Dashiell Hammett at Black Mask magazine in the early 1930s. As Peter Ruric, he maintained an equally successful career as a screenwriter, such as for the Boris Karloff horror classic, The Black Cat.