Featuring essays by leading feminist scholars from a variety of disciplines, this key text explores the latest developments in autobiographical studies.

The collection is structured around the inter-linked concepts of genre, inter-subjectivity and memory. Whilst exemplifying the very different levels of autobiographical activity going on in feminist studies, the contributions chart a movement from autobiography as genre to autobiography as cultural practice, and from the analysis of autobiographical texts to a preoccupation with autobiography as method.

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Tess Coslett, Celia Lury, Penny Summerfield

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