Feminist Visual Solidarities and Kinships

Feminist Visual Solidarities and Kinships considers global feminist coalitional practices in the contemporary visual arts through three key frameworks: transnational solidarity, archives, and kinships and care. The edited volume features emerging and established scholars and artists whose diverse perspectives inspire connections as well as critical points of divergence over the meanings of “feminism,” “transnationalism,” and “art.” Representing grassroots activism, artistic practice, and scholarly and curatorial inquiry, the diversity of approaches, writing styles, and chapter lengths depart from conventional modes of academic writing and provide pedagogical opportunities for students and scholars to use these contributions in a variety of learning environments not limited to the traditional classroom.

 

ERINA DUGANNEis a professor of art history at Texas State University and the author of The Self in Black and White: Race and Subjectivity in Postwar American Photography, co-author of Global Photography: A Critical History, and co-editor of Cold War Camera and Art for the Future: Artists Call and Central American Solidarities.
 

SUSAN RICHMOND is the director of the Ernest G. Welch School of Art & Design at Georgia State University and the author of Lynda Benglis: Beyond Process.

GENEVIEVE HYACINTH is an associate professor of history of art and visual culture at the California College of the Arts, San Francisco, and the author of Radical Virtuosity: Ana Mendieta and the Black Atlantic.