Fiddler on the Move

Slobin, Mark

ISBN 10: 0195161807 / ISBN 13: 9780195161809

Published by Oxford University Press Inc, 2003

About this Item

Contemporary klezmer music is a rapidly expanding revival of repertories and styles used by old-time professional musical entertainers in Jewish Eastern Europe. Fiddler on the Move, a volume (with CD) in the American Musicspheres series, is an attempt to position klezmer within American music studies, cultural studies, and ethnomusicology. Series: American Musicspheres Series. Num Pages: 168 pages, 2 halftones & numerous music examples. BIC Classification: AVGH; JFSR1. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 10. Weight in Grams: 274. . 2003. Paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780195161809

Bibliographic Details

• Title: Fiddler on the Move
• Publisher: Oxford University Press Inc
• Publication Date: 2003
• Language: English
• ISBN 10: 0195161807
• ISBN 13: 9780195161809
• Binding: Soft cover
• Condition: New

About this title

Synopsis

"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world.
Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions as: How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers

About the Author

Mark Slobin is Professor of Music and Chair of the Department of Music at Wesleyan University. A former president of the Society of Ethnomusicology, Mark Slobin is also the author of Subcultural Sounds: Micromusics of the West, Chosen Voices: The Story of the American Cantorate, and Tenement Songs: The Popular Music of the Jewish Immigrants.