Field Guide a Tempo. This item is unavailable.
Language: English
Published by Hobblebush Books, 2014
- Softcover
- Used

Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
AbeBooks seller since December 20, 2007
Condition: Used - Very good
US$ 9.05
Item description from seller
Poetry. Volume IX of the Hobblebush Granite State Poetry Series. Suppose I try to describe faithfully the prospect which a strain of music exhibits to me. The field of my life becomes a boundless plain.--Thoreau Prompted by Thoreau's thought-experiment, FIELD GUIDE A TEMPO is a topographical map of sounds, a landscape that changes pace, from ballad to dirge to lullaby, tracing the contours of those rhythms that give form and voice to Time itself. If sound became visible, what shapes would it take? What images would flash before our eyes? And if those images were set once more to music, could we sing them with all our senses? In music, the phrase>a tempo directs the musician to play once again at an original speed. But what is our original speed, or are there more than one? This field guide, unlike all scientific manuals before it, sets life going at the changing rhythms of ancient myth, natural wonder, and human love, and lets us sing them: Consigned to no one but time, but to continuous / Tempos, their racings, my racings, their easing, mine.…
Seller Inventory # 00104329188
- Title
- Field Guide a Tempo
- Author
- Henry Walters
- Publisher
- Hobblebush Books
- Publication year
- 2014
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1939449065
- ISBN 13
- 9781939449061
New Hampshire poet Henry Walters introduces a lyric voice of considerable range. Saws sing, mill-wheels wail, milk bottles play the blues against ancient, Medieval, and modern backdrops, all bound together by an ear tuned to "barbarian syllables." A series of linked triptychs assemble an irregular archive of rhythms gleaned from childhood games, dance steps, rainfall, Greek myth, and a range of lyric predecessors (including translations from Propertius, Rimbaud, and Montale), a sort of intertidal wrack-zone between art's careful arrangements and the inscrutable patterns of the natural world. Walters makes use of prose, blank-verse, sonnet, and invented forms in extending the philosophical-scientific tradition of poets such as Stevens, Ammons, Marianne Moore, and Kay Ryan in rich harmonics wholly his own. "Consigned to no one time, but to continuous / Tempos, their racings, my racings, their easing, mine."
Volume IX in the Granite State Poetry Series
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