The Films of Bong Joon Ho
Language: English
Published by Rutgers University Press, 2020
- Softcover
- Used

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The first single-authored, book-length study of the world-renowned Korean director who is known for his unique construction of genre films. Lee provides a detailed account of Korean contemporary cultural and political history that is critical to a full appreciation of Bong's oeuvre.
Seller Inventory # CIN1978818904G
- Title
- The Films of Bong Joon Ho
- Author
- Nam Lee
- Publisher
- Rutgers University Press
- Publication year
- 2020
- Condition
- Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1978818904
- ISBN 13
- 9781978818903
- Series
- Book 2 of 3: Global Film Directors
With detailed readings of Bong’s films from Barking Dogs Never Bite (2000) through Parasite (2019), the book will give readers a new appreciation of this world-class cinematic talent.
Bong Joon Ho won the Oscar® for Best Director for Parasite (2019), which also won Best Picture, the first foreign film to do so, and two other Academy Awards. Parasite was the first Korean film to win the Palme d’Or at Cannes. These achievements mark a new career peak for the director, who first achieved wide international acclaim with 2006’s monster movie The Host and whose forays into English-language film with Snowpiercer (2013) and Okja (2017) brought him further recognition.
As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic development. Film critic and scholar Nam Lee explores how Bong subverts the structures of the genres he works within, from the crime thriller to the sci-fi film, in order to be truthful to Korean realities that often deny the reassurances of the happy Hollywood ending.
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