The Films of Carlos Saura | The Practice of Seeing

Marvin D'Lugo

ISBN 10: 0691008558 / ISBN 13: 9780691008554

Published by Princeton University Press, 1991

About this Item

The Films of Carlos Saura | The Practice of Seeing | Marvin D'Lugo | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1991 | Princeton University Press | EAN 9780691008554 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Seller Inventory # 107493808

Bibliographic Details

• Title: The Films of Carlos Saura | The Practice of Seeing
• Publisher: Princeton University Press
• Publication Date: 1991
• Language: English
• ISBN 10: 0691008558
• ISBN 13: 9780691008554
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 234W x 156H x 16D millimeters 234 millimeters width by 156 millimeters height by 16 millimeters depth
• Weight: 458 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden Age--that tend to isolate Spaniards from the rest of Europe, from each other, and from their own individuality. In this first English-language book on Saura, Marvin D'Lugo looks at the social and artistic forces behind this film auteur's highly personal cinema. Tracing Saura's career over three decades, D'Lugo discusses each work from Hooligans (1959), a realist film about a Madrid street-gang member trying to become a bullfighter, to The Dark Night (1989), a film dealing with the persecution of the religious reformer St. John of the Cross in the late sixteenth century. Throughout he argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. D'Lugo shows how in order to explore the complex cultural politics of "Spanishness" as it was institutionalized under Franco, Saura frames his narrations through the eyes of characters who question the forces that shape personal and collective identity. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society.

From the Back Cover

Throughout this book, D'Lugo argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society.