The Films of Joseph H. Lewis

Gary D. Rhodes

ISBN 10: 0814334628 / ISBN 13: 9780814334621

Published by Wayne State University Press, 2012

About this Item

The Films of Joseph H. Lewis | Gary D. Rhodes | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2012 | Wayne State University Press | EAN 9780814334621 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Seller Inventory # 106528024

Bibliographic Details

• Title: The Films of Joseph H. Lewis
• Publisher: Wayne State University Press
• Publication Date: 2012
• Language: English
• ISBN 10: 0814334628
• ISBN 13: 9780814334621
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 229W x 152H x 16D millimeters 229 millimeters width by 152 millimeters height by 16 millimeters depth
• Weight: 438 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. While some studies analyze Lewis's work in different areas, others focus on particular films, ranging from poverty row fare to westerns and "television films." Overall, this collection offers fresh perspectives on Lewis as an auteur, a director responsible for individually unique works as well as a sustained and coherent style.

Essays in part 1 investigate the texts and contexts that were important to Lewis's film and television career, as contributors explore his innovative visual style and themes in both mediums. Contributors to part 2 present an array of essays on specific films, including Lewis's remarkable and prescient Invisible Ghost and other notable films My Name Is Julia Ross, So Dark the Night, and The Big Combo. Part 3 presents an extended case study of Lewis's most famous and-arguably-most important work, Gun Crazy. Contributors take three distinct approaches to the film: in the context of its genre as film noir and modernist and postmodernist film; in its relationship to masculinity and masochism; and in terms of ethos and ethics.

The Films of Joseph H. Lewis offers a thorough assessment of Lewis's career and also provides insight into film and television making in the 1930s, 40s, and 50s. Scholars of film and television studies and fans of Lewis's work will appreciate this comprehensive collection.

About the Author

Gary D. Rhodes, PhD, is a film historian, filmmaker, and a lecturer of film studies at the Queen's University of Belfast. His films include Lugosi: Hollywood's Dracula and Banned in Oklahoma. Rhodes is also the author of The Perils of Moviegoing in America and Emerald Illusions: The Irish in Early American Cinema.

Contributors: Lance Duerfahrd, Michael E. Grost, David J. Hogan, Brian Hoyle, Christopher Justice, Michael Lee, Hugh S. Manon, Francis M. Nevins, Gary D. Rhodes, Marlisa Santos, Robert Singer, Phillip Sipiora, Brian Taves, Yannis Tzioumakis, Tony Williams