Flann O'brien and the Nonhuman: Environments, Animals, Machines

Flann O’Brien and the Nonhuman is the first book to explore in detail the author’s interest in the agency, materiality, and potential sentience of environments, animals and machines.

At every turn, O’Brien’s writing challenges anthropocentric values and troubles conventional notions of the human. We think of the cast of At Swim-Two-Birds (which features the bird-man Sweeney, a Pooka, and a cow who is called as a star witness in the author’s trial) and The Third Policeman’s uncanny topographies and atomic hybridisation of people and bicycles, as well as the rain-soaked landscapes, Irish-speaking pigs, and human-seals of An Béal Bocht. Yet, O’Brien’s deconstruction of conventional narratives of the human-nonhuman binary extends across genres, from the protagonist’s strange metamorphosis into a train in the short story ‘John Duffy’s Brother’ to Cruiskeen Lawn’s steam men; from O’Brien’s stage adaptation of the Čapeks’ Insect Play to the donkey’s tragedy in his late-career teleplay The Man with Four Legs. 

Drawing on a wide range of methodologies (ecocriticism, the blue humanities, animal studies, cyborg theory, disability studies, posthumanism), paradigms (the Anthropocene, climate change) and theorists (Derrida, Serres, Ngai, Deleuze, Guattari, Braidotti, Saltes, Morton), the contributors unearth new historical contexts for the study of O’Brien, including the long-term impact of the Great Famine, the use of coercive emergency powers during the 1930s and the biopolitical role of air during the Second World War. These interventions not only bring new dimensions of O’Brien’s work to the surface, but reveal him as a key but overlooked figure for understanding the role of the nonhuman in Irish modernist cultural production.

Katherine Ebury is Senior Lecturer in Modern Literature at University of Sheffield. With an established, international reputation as a literary historian and a scholar of modernism, she has written two well-reviewed monographs, one edited collection and several peer-reviewed articles and book chapters. She  was awarded an AHRC Leadership Fellowship for her research project ‘Literature, Psychoanalysis and the Death Penalty, 1900-1950’, which was the basis for her recent monograph in the area of law and literature, Modern Literature and the Death Penalty, 1890-1950. 

Paul Fagan is Senior Scientist at Salzburg University, as well as a Lecturer at the University of Vienna and co-founder of the Vienna Irish Studies and Cultural Theories Summer School. As well as co-editing the Cork University Press collections Flann O’Brien: Contesting Legacies (2014) and Flann O’Brien: Problems with Authority (2017), Fagan is a co-founder of the International Flann O’Brien Society and is presently completing a monograph on the Irish Literary Hoax Tradition.

John Greaney is a Marie Skłodowska Curie Fellow at the Institute for English and American Studies at Goethe University Frankfurt (2021-2023). He was previously a Fulbright Postdoctoral Fellow at the University of Pennsylvania and an Irish Research Council Scholar at University College Dublin. He is the author of The Distance of Irish Modernism: Memory, Narrative, Representation (Bloomsbury) and editor, with Paul Fagan and Tamara Radak, of Irish Modernisms: Gaps, Conjectures, Possibilities (Bloomsbury). His work has been published in Textual Practice, Irish Studies Review and Derrida Today.