Footlights (Paperback)

Serge Daney

ISBN 10: 1635901987 / ISBN 13: 9781635901986

Published by Semiotext (E), 2023

About this Item

Paperback. The early essays of the most influential French film critic of the post-68 period.The early essays of the most influential French film critic of the post-68 period.The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after Andre Bazin. The Footlights stands apart in Daney's body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinema by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini's Sal to Spielberg's Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment. The early essays of the most influential French film critic of the post-68 period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781635901986

Bibliographic Details

• Title: Footlights (Paperback)
• Publisher: Semiotext (E)
• Publication Date: 2023
• Language: English
• ISBN 10: 1635901987
• ISBN 13: 9781635901986
• Binding: Paperback
• Condition: new

About this title

Synopsis

The early essays of the most influential French film critic of the post-68 period.

The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. The Footlights stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinéma by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini’s Saló to Spielberg’s Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.

About the Author

Serge Daney became the editor of Cahiers du Cinema in 1974. In 1981, he left Cahiers and wrote about visual culture for Libération, turning his attention to television and coverage of the Gulf War. He collaborated with Claire Denis on a documentary film, Jacques Rivette, le veilleur (1990). He died of AIDS-related causes in 1992.