Forays (Paperback)

Joe Day

ISBN 10: 1951541197 / ISBN 13: 9781951541194

Published by Oro Editions, San Rafael, 2021

About this Item

Paperback. How does one envision architecture? Forays gathers the work of Joe Day and Deegan-Day Design into six diptychs, unified by this question. Working in a wide range of media and scales, Day's work mines the differentials between perspective and projection. Forays is organised in six 'diptychs,' the first two paired projects are books in their own right, the second pair - a clothing line and a first building, the third, two houses, the fourth - two plays on brand identity and design methodology, the fifth - permanent and transient cinema proposals, and the sixth - two series of speculative work in local and global registers. Modelled on a comparison of two classic cameras - the Leica M3 and Polaroid SX-70 - each diptych includes a project with more 'Leica' to it - a more bounded, Cartesian clarity or distilled focus - and another closer to an SX-70 in its moving or folding parts, its shape-shifting adaptability. How does one envision architecture? Forays gathers the work of Joe Day and Deegan-Day Design into six diptychs, unified by this question. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781951541194

Bibliographic Details

• Title: Forays (Paperback)
• Publisher: Oro Editions, San Rafael
• Publication Date: 2021
• Language: English
• ISBN 10: 1951541197
• ISBN 13: 9781951541194
• Binding: Paperback
• Condition: new

About this title

Synopsis

How does one envision architecture? Forays gathers the work of Joe Day and Deegan-Day Design into six diptychs, unified by this question. Working in a wide range of media and scales, Day’s work mines the differentials between perspective and projection. Forays is organized in six “diptychs,” the first two paired projects are books in their own right; the second pair, a clothing line and a first building; the third, two houses; the fourth, two plays on brand identity and design methodology; the fifth, permanent and transient cinema proposals; and the sixth, two series of speculative work in local and global registers. Modelled on a comparison of two classic cameras¬―the Leica M3 and Polaroid SX-70―each diptych includes a project with more “Leica” to it―a more bounded, Cartesian clarity or distilled focus―and another closer to an SX-70 in its moving or folding parts, its shape-shifting adaptability.

About the Author

Joe Day is a designer and architectural theorist in Los Angeles where he leads Deegan-Day Design and serves on the design and history/theory faculty at the Southern California Institute of Architecture (SCI-Arc).