Form, Power, and Person in Robert Creeley's Life and Work

ISBN 10: 1587298597 / ISBN 13: 9781587298592

Published by University of Iowa Press, 2010

About this Item

Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Seller Inventory # 57909421-6

Bibliographic Details

• Title: Form, Power, and Person in Robert Creeley's Life and Work
• Publisher: University of Iowa Press
• Publication Date: 2010
• Language: English
• ISBN 10: 1587298597
• ISBN 13: 9781587298592
• Binding: Hardcover
• Condition: Good
• Weight: 1.063 pounds

About this title

Synopsis

By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment.

       Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephen Fredman and Steve McCaffery, the essays in this collection have been gathered into three parts. Those in “Form” consider a variety of characteristic formal qualities that differentiate Creeley from his contemporaries. In “Power,” writers reflect on the pressure exerted by emotions, gender issues, and politics in Creeley’s life and work. In “Person,” Creeley’s unique artistic and psychological project of constructing a person—reflected in his correspondence, teaching, interviews, collaborations, and meditations on the concept of experience—is excavated. While engaging these three major topics, the authors remain, as Creeley does, intent upon the ways such issues appear in language, for Creeley’s nakedness is most conspicuously displayed in his intimate relationship with words.

Contributors

Charles Altieri

Rachel Blau DuPlessis

Stephen Fredman

Benjamin Friedlander

Alan Golding

Michael Davidson

Steve McCaffery

Peter Middleton

Marjorie Perloff

Peter Quartermain

Libbie Rifkin

About the Author

Stephen Fredman is professor of English at the University of Notre Dame. He is the author of Contextual Practice: Assemblage and the Erotic in Postwar Poetry and Art, Poet’s Prose: The Crisis in American Verse, and A Menorah for Athena: Charles Reznikoff and the Jewish Dilemmas of Objectivist Poetry. Steve McCaffery is a poet and the David Gray Professor of Poetry and Letters at the State University of New York at Buffalo. A founding member of the sound-poetry group Four Horsemen, McCaffery is also the author of Prior to Meaning: The Protosemantic and Poetics, Imagining Language (with Jed Rasula), and North of Intention: Critical Writings, 1973–86.