This screenplay of 42nd Street, along with Rocco Fumento's thorough and engrossing introduction, takes the reader behind the scenes to see how the Warners studio took a dismal novel and, working within severe financial constraints brought on by the Great Depression, turned out a smash musical hit.
42nd Street is a watershed film, one that resuscitated the Hollywood musical during troubled times. Yet 42nd Street wasn't merely a Depression tonic, its multiple plot line was half-comic, half-serious. It was a fast-paced, energetic, and the first musical not to shrink away from the fact that a Depression was going on. The film is an odd, and oddly successful, fusion of the real with the fantastic.

About the Authors

Rocco Fumento, associate professor of English at the University of Illinois, Champaign-Urbana, is an especially qualified guide to this film. Both an aficionado and a teacher/scholar of film, he is also an accomplished creative writer.

Tino Balio is professor emeritus of film in the Department of Communication Arts at the University of Wisconsin–Madison and former director of the Wisconsin Center for Film and Theater Research. He is author of United Artists, Volume 1, 1919–1950 and Volume 2, 1951–1978 as well as Grand Design: Hollywood as Modern Business Enterprise, 1930–1939. He is editor of The American Film Industry and Hollywood in the Age of Television.

"About this title" may belong to another edition of this title.

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