Fragmented devotion : Medieval objects from the Schnütgen Museum Cologne :
Language: English
Published by Boston, McMullen Museum of Art, 2000
- Softcover
- Used



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Item description from seller
169 S. Ausstellungskatalog geringfügig berieben. Das Buch ist in einem sehr guten Zustand. B03-04-02A Sprache: Englisch Gewicht in Gramm: 630.
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- Title
- Fragmented devotion : Medieval objects from the Schnütgen Museum Cologne :
- Author
- Netzer, Nancy (Ed.) and Virginia Reinburg (Ed.):
- Publisher
- Boston, McMullen Museum of Art
- Publication year
- 2000
- Condition
- Sehr gut
- Binding
- 8° Broschiert
- Language
- English
- ISBN 10
- 189285001X
- ISBN 13
- 9781892850010
- Item weight
- 630 grams
- Seller catalogs
- AUSSTELLUNGSKATALOG
Medieval art survives today as fragments of larger works, usually displayed by historical period, geographic location, artistic medium, or iconographic theme. Fragmented Devotion is the first exhibition to explore the meanings these fragments have in our understanding of medieval art and religious life from the Middle Ages to the present. Most of these objects have never been shown before in North America, and many have not been published since the beginning of the twentieth century.
The catalog includes essays by historians, art historians, philosophers, and theologians. The writings discuss the meanings these objects had in medieval religious practice. The essays then go on to trace how those original meanings changed when the objects were collected and installed by Alexander Schnutgen within the larger context of Catholicism and nationalism in nineteenth century Germany. Finally, the contributors look at the 1920s and 1930s when the objects were installed in a museum-like setting and consider this installation in light of the developments in medieval art history and the policies of national socialism.
The catalog includes essays by historians, art historians, philosophers, and theologians. The writings discuss the meanings these objects had in medieval religious practice. The essays then go on to trace how those original meanings changed when the objects were collected and installed by Alexander Schnutgen within the larger context of Catholicism and nationalism in nineteenth century Germany. Finally, the contributors look at the 1920s and 1930s when the objects were installed in a museum-like setting and consider this installation in light of the developments in medieval art history and the policies of national socialism.
"Synopsis" may belong to another edition of this title.
About the Author
Nancy Netzer is professor of art history at Boston College and director of the McMullen Museum of Art, Boston College.
"About the title" may belong to another edition of this title.
avelibro OHG
Dinkelscherben, Germany
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