In the decade preceding his untimely death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works--some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent nocturnes marked an important new direction for the celebrated illustrator, writer, and sculptor of America's vanishing frontier.

In these deeply personal works, Remington explored the technical and aesthetic difficulties of painting darkness. Surprisingly, his images are filled with color and light--moonlight, firelight, candlelight. Focused on the subject the artist had made his own--the American West--these paintings reflect Remington's dramatic reworking of the narrative tradition as well as the spare modernism of his late work.

Frederic Remington: The Color of Night, accompanying the first exhibition devoted to the nocturnes, includes three insightful essays discussing Remington's nocturnes within the literary, historical, aesthetic, and technological context of his time. The nocturnes do much more than document a night that was rapidly disappearing under bright, newly installed electric lights. They also reveal how this son of a Civil War hero moved from burnishing Theodore Roosevelt's rough riding heroics in Cuba to exploring, like Stephen Crane and Ernest Hemingway, his own soul-searing war experience, and, like Joseph Conrad, to probing America's own heart of darkness.

As the definitive resource on Remington's nocturnes, this volume pairs large reproductions of these stunning paintings--including newly conserved works and others not seen publicly since the artist's death--with commentary from his personal diaries and letters and from contemporary critics.

EXHIBITION SCHEDULE

http://www.nga.gov/ National Gallery of Art, Washington

April 13 - July 13, 2003

http://www.gilcrease.org/ The Gilcrease Museum, Tulsa, Oklahoma

August 10 - November 9, 2003

http://www.denverartmuseum.org/ Denver Art Museum

December 13, 2003 - March 14, 2004

About the Author

Nancy Anderson is Associate Curator of American and British Painting at the National Gallery of Art, where she has recently served as curator and principal catalogue author for the retrospective Thomas Moran. Alexander Nemerov, professor of art history at Yale University, is the author of Frederic Remington and Turn-of-the-Century America. William C. Sharpe is professor of English at Barnard College and the author of Unreal Cities.

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