French Master Drawings: From the Collection of Muriel Butkin Foster, Carter E.; Bellenger, Sylvain and Cable, Patrick Shaw

Foster, Carter E.

ISBN 10: 0940717670 / ISBN 13: 9780940717671

Published by Hudson Hills, 2001

About this Item

Brand New Book, factory sealed in original shrink wrap.

Seller Inventory # b21744

Bibliographic Details

• Title: French Master Drawings: From the Collection of Muriel Butkin Foster, Carter E.; Bellenger, Sylvain and Cable, Patrick Shaw
• Publisher: Hudson Hills
• Publication Date: 2001
• Language: English
• ISBN 10: 0940717670
• ISBN 13: 9780940717671
• Binding: Hardcover
• Condition: New
• Weight: 43 ounces

About this title

Synopsis

One of the finest private collections of master drawings of French artists of the 18th and 19th centuries, more than 450 in all. This beautiful volume publishes the 59 most important drawings, each reproduced in rich duotone with a comprehensive essay.

Reviews

Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. Sandra Rothenberg, Framingham State Coll., MA
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